Phylakopi exc. (Melos) Phylakopi - Φυλακωπή

Φυλακωπή - Phylakopi, major Bronze Age settlement on Melos near Phylakopi in Melos Cyclades
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Latitude: 36.755000
Longitude: 24.504600
Confidence: High (20140815)

Place ID: 368245UPhy
Time period: B
Region: Cyclades
Country: Greece
Department: Milos
Mod: Phylakopi

- Pleiades
- IDAI gazetteer ID

Search for inscriptions mentioning Phylakopi (Φυλακω...) in the PHI Epigraphy database.

Modern Description: At 7.5km, the road passes a couple of small coves and drops into a shallow fertile valley, with the extensive ruins of Phylakopí on the coastal bluff to the left. The site was first examined by the British School of Archaeology (Hogarth and Smith) in 1896–99, then subsequently in 1911, and again in 1974–77 under Colin Renfrew: excavations continue today. The remains of three successive Bronze Age cities were discovered. In the 2nd millennium BC, Phylakopí was one of the most important centres in the Aegean, based on its commerce of obsidian. It was a dominant presence in the area almost uninterruptedly for 1,000 years. Its importance today lies in what it has revealed both of the organisation of Bronze Age cities and, above all, of their cult.
Rainfall was higher than at present in the Bronze Age and would therefore have made the area to the south of Phylakopí substantially more fertile: sea-levels were also higher, making the harbours of the town deeper and more manageable. The sea, in fact, may have penetrated and encircled the town more on the east side increasing its defensibility. This is important because the choice of site is otherwise hard to explain: it is far from the two main obsidian deposits on the island, and stands on a coast exposed to the prevailing north winds, making outward navigation from the harbour much more difficult in certain seasons. The port was of primary importance since the city existed and grew on trade, mostly exporting obsidian and clays from the island. The first settlers on the hill, in the middle of the 3rd millennium BC, had commercial contacts with other centres of the Keros-Syros Cycladic culture.
The successive phases The first organised settlement with its cemetery, Phylakopí I, dates from 2300–2000 BC. The subsequent centuries show a rapid enlargement of trading links, and Phylakopí II (2000–1600 BC)—the first point at which we can talk of a real ‘city'—is characterised by considerable refinement of pottery techniques and decorations, as well as increasing imports from Crete and from mainland Greece (grey Minyan ware). The city at this stage appears to have had no fortifications, and around 1600 BC it was destroyed by fire in an attack.
In the light of this experience it was rebuilt with sturdy fortification walls which vary between three and six metres in thickness. This is Phylakopí III (1600–1400 BC): a city which had a plan of parallel streets and rectangular dwellings, sometimes of two floors, decorated with wall-paintings of predominantly Minoan inspiration. The pottery in this period acquires naturalistic designs figuring dolphins, birds and plants. The city was again destroyed c. 1400 BC, probably during Mycenaean expansion into the area from the mainland. Phylakopí IV (1400–1100 BC) represents the final phase. The fortifications were enlarged and reinforced, and a notable Mycenaean influence, seen both in the pottery and in the building of an imposing megaron and a sanctuary, replaces the earlier Minoan influence. Pottery is imported from several centres on the mainland and there is evidence of commercial links beyond the Aegean. The city was finally abandoned at the end of the 12th century BC at the time of the collapse of Mycenaean civilisation.
It should be recalled that only a portion of the city has survived: erosion has carried away a good half of it into the sea. Even though Phylakopí is predominantly a specialist's site, the informed visitor can enjoy a number of striking features. Entering from the south, the imposing scale of the walls, constructed in blocks of andesite and perlite in the customary harlequin of colours of Milos, stretch well-preserved to the left. The in-filled double curtain and bastions are visible; outside the southwest corner, the careful cutting and laying of the massive blocks can best be appreciated. Close to the wall, on the right as you approach from the south is the Mycenaean shrine (LH III A–C), which evolved through the 14th and 13th centuries BC, consisting of two wings separated by a paved court, with a stone bench and standing stone. This is where the tiny gold mask and the ‘Lady of Phylakopí' were found during the 1974–77 campaign of excavations (see ‘Museum' above).
On site it is often difficult to pick out the rectangular street plan of the settlement, which is so evident in aerial photographs; clearly visible on the ground, however, is the plan of the megaron, which lies close to the edge of the site to the northeast, recognisable by its massive threshold-block, in a veined black and red limestone, which must have measured almost 4m in length before it was sundered in two. To the side and in the interior are other massive construction elements, possibly door jambs, in a pale-green (bentonite) stone. The most unusual architectural elements at Phylakopí are the hexagonal basalt columns which occur naturally in the rock formations on the islet of Glaronísi, in the bay a short distance out to sea: the phenomenon is similar to that which formed the ‘Giant's Causeway' in Northern Ireland. All the building material—though immensely varied— comes from the area around Phylakopí and none of it from more than about 3km away. It is not possible to say whether the various colours used had any particular significance to the ancient builders. Although the material is very eroded now, the attentive eye will find pieces which have nonetheless been cut very exactly. There is an impressive quantity of potsherd scatter, too.
Wikipedia: https://en.wikipedia.org/wiki/Phylakopi
Wikidata ID: Q1447360

Info: McGilchrist's Greek Islands

(From McGilchrist’s Greek Islands, © Nigel McGilchrist 2010, excerpted with his gracious permission. Click for the books)


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